Baroque counterpoint, Arabic melodies and rhythms, free improvisation, ambient minimalism, and all forms of electronic dance music — these are all tools that pianist-composer John Kameel Farah uses in his music, in a compositional approach one could call “Maximalism”. Both a virtuosic pianist and imaginative electronic producer, Farah layers colourful sounds and poly-rhythms to build other-wordly orchestral landscapes. More than a collection of tracks, Time Sketches is more like a symphonic cycle in 10-movements, culminating in the final “Fantasia” which stylistically spans several centuries. Using the piano alongside an array of synthesizers and electronics, Farah represents a new generation of North-American composers, whose intensely expressive style allows dramatic narratives to co-exist alongside abstraction and complexity.